Two empires, two gods, one source of fire. The piece stages a meeting that history never allowed: Horus and Apollo facing off across a column of flame, their cities standing behind them like evidence. It reads as a question about power and where it comes from, dressed in the gold-leaf language of devotional painting. The execution leans baroque and unapologetic. For collectors drawn to myth, syncretism, and work that argues a concept rather than just decorating a wall, this one earns its place.